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"Diana the Huntress" – School of Fontainebleau (1550-60) (Louvre)
L'Ecole de Fontainebleau refers to two periods of artistic production in France during the late Renaissance centered in the royal palace of Fontainebleau, which were instrumental in forming the North French Mannerism.
The first School of Fontainebleau (from 1531)
Rosso Fiorentino (Giovanni Battista di Jacopo de 'Rossi) (14,941,540) (Italian)
Primaticcio Francesco (c.1505-1570) (Italian)
Dell'Abbate Niccol (c.1509-1571) (Italian)
Juste de Juste (c.1505-1559) Franco-Italian sculptor and printmaker
The second school of Fontainebleau (from 1594)
Ambroise Dubois (1542-1614) (Flemish born)
Toussaint Dubreuil (c.1561-1602)
Martin Frinet (15671619)
In 1531, invited the Florentine artist, Rosso Fiorentino, who lost most of their possessions during the sack of Rome in 1527 by Francis I to come to France, where he initiated a major program to decorate the castle of Fontainebleau. In 1532, he was joined by another Italian artist Francesco Primaticcio (Bologna). Rosso died in France in 1540. On the advice of Primaticcio dell'Abbate Niccol (Modena) was invited in France in 1552 by Fran? Ois son Henry II. Although known for his work in Fontainebleau, These artists were also invited to create works of art to other noble families of the time and have a great esteem and well paid.
The works of this school, "First Fontainebleau are characterized by extensive use of stucco (moldings and frames) and fresh, sophisticated (and often mysterious) system of allegories and iconography mythological. Renaissance decorative motifs such as grotesques, cherubs and interlacing are common, and a degree of eroticism. The figures are elegant and show how techniques Italian mannerism of Michelangelo, Raphael and Parmigianino above. Primaticcio also responsible for making copies of ancient Roman statues for King, extending and the influence of classical statuary. Many of the works of Rosso, Primaticcio dell'Abate not survive, parts of the castle was remodeled at different times. The paintings in the group were reproduced in prints, mostly etchings, which apparently were produced initially in Fontainebleau itself, and later in Paris. The released into the way through France and beyond, and also save multiple tables that have not survived.
The style of the Mannerist school of Fontainebleau Influence French artists (with the Italians at work), as the painter Jean Cousin the Elder, the sculptors Jean Goujon and Germain Pilon, and to a lesser degree and the painter Fran? Clouet Francois Clouet Jean's son.
"Lady in the toilet" – School of Fontainebleau (15851595) (Mus Beaux-Arts, Dijon)
From 1584 to 1594, during the religious wars, the Château de Fontainebleau, has been abandoned. On arrival to the throne Henry IV began a renovation of Fontainebleau with a group of artists: Dubois was born Ambrose Flemish (Antwerp) and the Parisians and Frinet Martin Toussaint Dubreuil. They are sometimes called "the second school of Fontainebleau". Latest Mannerist works, many of which have been lost, to continue the use of elongated and undulating forms and compositions Lunches. Many of her subjects include mythological scenes and scenes of fiction by Italian Torquato Tasso and the Greek novelist Heliodorus of Emesa.
His style could still affect the artists in the early decades of the 17th century, but other artistic currents (Peter Paul Rubens, Caravaggio, the Dutch and Flemish naturalist school) will soon be eclipsed.
See also
French Art
French Renaissance
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